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The Freedom to Remember: Narrative, Slavery and Gender in Contemporary Black Women's Fiction
Paperback

The Freedom to Remember: Narrative, Slavery and Gender in Contemporary Black Women’s Fiction

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The Freedom to Remember examines contemporary literary revisions of slavery in the United States by black women writers. The narratives at the center of this book include: Octavia E. Butler’s Kindred, Sherley Anne Williams’s Dessa Rose, Toni Morrison’s Beloved, J. California Cooper’s Family, and Lorene Cary’s The Price of a Child. Recent studies have investigated these works only from the standpoint of victimization. Angelyn Mitchell changes the conceptualization of these narratives, focusing on the theme of freedom, not slavery, defining these works as liberatory narratives. These works create a space to problematize the slavery/freedom dichotomy from which contemporary black women writers have the safe vantage point to reveal aspects of enslavement that their ancestors could not examine. The nineteenth-century female emancipatory narrative, by contrast, was written to aid the cause of abolition by revealing the unspeakable realities of slavery. Mitchell shows how the liberatory narrative functions to emancipate its readers from the legacies of slavery in American society: by facilitating a deeper discussion of the issues and by making them new through illumination and interrogation.

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MORE INFO
Format
Paperback
Publisher
Rutgers University Press
Country
United States
Date
1 March 2002
Pages
192
ISBN
9780813530697

The Freedom to Remember examines contemporary literary revisions of slavery in the United States by black women writers. The narratives at the center of this book include: Octavia E. Butler’s Kindred, Sherley Anne Williams’s Dessa Rose, Toni Morrison’s Beloved, J. California Cooper’s Family, and Lorene Cary’s The Price of a Child. Recent studies have investigated these works only from the standpoint of victimization. Angelyn Mitchell changes the conceptualization of these narratives, focusing on the theme of freedom, not slavery, defining these works as liberatory narratives. These works create a space to problematize the slavery/freedom dichotomy from which contemporary black women writers have the safe vantage point to reveal aspects of enslavement that their ancestors could not examine. The nineteenth-century female emancipatory narrative, by contrast, was written to aid the cause of abolition by revealing the unspeakable realities of slavery. Mitchell shows how the liberatory narrative functions to emancipate its readers from the legacies of slavery in American society: by facilitating a deeper discussion of the issues and by making them new through illumination and interrogation.

Read More
Format
Paperback
Publisher
Rutgers University Press
Country
United States
Date
1 March 2002
Pages
192
ISBN
9780813530697