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Employing Northrop Frye and Rene Girard as his theoretical foundation, William Johnsen reinterprets the work of three canonical modernists - Ibsen, Joyce and Woolf. He argues for their commitment to analysing collective violence as a defining motive in literary modernism.
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Employing Northrop Frye and Rene Girard as his theoretical foundation, William Johnsen reinterprets the work of three canonical modernists - Ibsen, Joyce and Woolf. He argues for their commitment to analysing collective violence as a defining motive in literary modernism.