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Arguing against the prevailing view of Edith Wharton as a realist writer, Hildegard Hoeller finds the real Wharton in the writer’s sentimental voice and in her critique of realism. She demonstrates that the American writer created a dialogue between the two literary traditions.
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Arguing against the prevailing view of Edith Wharton as a realist writer, Hildegard Hoeller finds the real Wharton in the writer’s sentimental voice and in her critique of realism. She demonstrates that the American writer created a dialogue between the two literary traditions.