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As dismissal and disdain of Jews speak through the art of some leading twentieth-century poets, so the poetry of Rodger Kamenetz artfully answers, framing in subtle terms the questions that haunt our culture-about the voices through which culture speaks, about the identity of poet and poetry, about the capacity of art to harm and to heal. Whether subjecting the anti-Semitic verses of T. S. Eliot to a literary trial; conjuring the eloquence with which Allen Ginsberg forgives Ezra Pound on Behalf of the Jews; or drawing upon personal history, the Torah, and Jewish mysticism to explore the tangled relations of Jewish identity and modern literature, Kamenetz’s poems attest to the inexorable power of language.
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As dismissal and disdain of Jews speak through the art of some leading twentieth-century poets, so the poetry of Rodger Kamenetz artfully answers, framing in subtle terms the questions that haunt our culture-about the voices through which culture speaks, about the identity of poet and poetry, about the capacity of art to harm and to heal. Whether subjecting the anti-Semitic verses of T. S. Eliot to a literary trial; conjuring the eloquence with which Allen Ginsberg forgives Ezra Pound on Behalf of the Jews; or drawing upon personal history, the Torah, and Jewish mysticism to explore the tangled relations of Jewish identity and modern literature, Kamenetz’s poems attest to the inexorable power of language.