Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Within the relatively recent development of a tradition of African American playwriting, the Theodore Ward Prize has, over its twenty-year history, offered a rich reflection of the accomplishments of emerging and established black playwrights and their growing importance in shaping contemporary theater. This volume showcases three winners of the Theodore Ward Prize - plays that, in their quality and subject matter, aptly represent what is being written and produced by African American playwrights and theaters today. Carefully selected by a director and educator who has been affiliated with the contest for eighteen of its twenty years, these three works have themes that range from the sordid shenanigans of a Depression-era
South Side Burial Society
(Leslie Lee’s
Sundown Names and Night-Gone Things ) to a single mother’s heartbreaking battle to save her children’s souls (Mark Clayton Southers’
Ma Noah ) to a poignant and achingly funny reunion of three sisters after their parents’ death (Kim Euell’s
The Diva Daughters DuPree ). Their publication answers a growing demand for the work of African American playwrights even as it affords deep and varied insights into African American culture in our era.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Within the relatively recent development of a tradition of African American playwriting, the Theodore Ward Prize has, over its twenty-year history, offered a rich reflection of the accomplishments of emerging and established black playwrights and their growing importance in shaping contemporary theater. This volume showcases three winners of the Theodore Ward Prize - plays that, in their quality and subject matter, aptly represent what is being written and produced by African American playwrights and theaters today. Carefully selected by a director and educator who has been affiliated with the contest for eighteen of its twenty years, these three works have themes that range from the sordid shenanigans of a Depression-era
South Side Burial Society
(Leslie Lee’s
Sundown Names and Night-Gone Things ) to a single mother’s heartbreaking battle to save her children’s souls (Mark Clayton Southers’
Ma Noah ) to a poignant and achingly funny reunion of three sisters after their parents’ death (Kim Euell’s
The Diva Daughters DuPree ). Their publication answers a growing demand for the work of African American playwrights even as it affords deep and varied insights into African American culture in our era.