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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Last of the Barons has been by many esteemed the best of the Author’s romances; and perhaps in the portraiture of actual character, and the grouping of the various interests and agencies of the time, it may have produced effects which render it more vigorous and lifelike than any of the other attempts in romance by the same hand. It will be observed that the purely imaginary characters introduced are very few; and, however prominent they may appear, still, in order not to interfere with the genuine passions and events of history, they are represented as the passive sufferers, not the active agents, of the real events. Of these imaginary characters, the most successful is Adam Warner, the philosopher in advance of his age; indeed, as an ideal portrait, I look upon it as the most original in conception, and the most finished in execution, of any to be found in my numerous prose works, Zanoni alone excepted. – Edward George Bulwer-Lytton
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The Last of the Barons has been by many esteemed the best of the Author’s romances; and perhaps in the portraiture of actual character, and the grouping of the various interests and agencies of the time, it may have produced effects which render it more vigorous and lifelike than any of the other attempts in romance by the same hand. It will be observed that the purely imaginary characters introduced are very few; and, however prominent they may appear, still, in order not to interfere with the genuine passions and events of history, they are represented as the passive sufferers, not the active agents, of the real events. Of these imaginary characters, the most successful is Adam Warner, the philosopher in advance of his age; indeed, as an ideal portrait, I look upon it as the most original in conception, and the most finished in execution, of any to be found in my numerous prose works, Zanoni alone excepted. – Edward George Bulwer-Lytton