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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In this powerful collection, Chelsea Rathburn seeks to voice matters once deemed unspeakable, from collisions between children and predators to the realities of postpartum depression. Still Life with Mother and Knife considers the female body,
mute and posable,
as object of both art and violence. Once an artist’s model, now a mother, Rathburn knows
how hard / it is to be held in the eyes of another.
Intimate and fearless, her poems move in interlocking sections between the pleasures and dangers of childhood, between masterpieces of art and magazine centerfolds, and- in a gripping sequence in dialogue with Delacroix’s paintings and sketches of Medea- between the twinned ferocities of maternal love and rage. With singular vision and potent poetic form, Rathburn crafts a complex portrait of girlhood and motherhood from which it is impossible to look away.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In this powerful collection, Chelsea Rathburn seeks to voice matters once deemed unspeakable, from collisions between children and predators to the realities of postpartum depression. Still Life with Mother and Knife considers the female body,
mute and posable,
as object of both art and violence. Once an artist’s model, now a mother, Rathburn knows
how hard / it is to be held in the eyes of another.
Intimate and fearless, her poems move in interlocking sections between the pleasures and dangers of childhood, between masterpieces of art and magazine centerfolds, and- in a gripping sequence in dialogue with Delacroix’s paintings and sketches of Medea- between the twinned ferocities of maternal love and rage. With singular vision and potent poetic form, Rathburn crafts a complex portrait of girlhood and motherhood from which it is impossible to look away.