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This book questions the presupposition that interpretation is the basic problem of language and examines how assumptions about the constructed nature of the object of interpretation affect current discussions about interpretation in the humanities. The author is not taken by the universalizing claims of hermeneutics that everything is reducible to interpretation, but he is not interested in quarreling directly with those claims either. And with respect to the notion of invention that things don t simply exist but are produced, made up he likewise is interested neither in the objections usually brought against it nor in the strength of that notion in resisting them. Instead, he is interested in problematics that emerge from considering interpretation and invention together, as exemplified in close readings of three texts: Oscar Wilde s De Profundis, Friedrich Nietzsche s The Birth of Tragedy, and Immanuel Kant s Critique of Pure Reason, texts in which in very different ways, a recognizable claim is made according to which the facts (biographical in one case, historical in another case, and cognitive in a third case) are produced by their own descriptions and interpretations.
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This book questions the presupposition that interpretation is the basic problem of language and examines how assumptions about the constructed nature of the object of interpretation affect current discussions about interpretation in the humanities. The author is not taken by the universalizing claims of hermeneutics that everything is reducible to interpretation, but he is not interested in quarreling directly with those claims either. And with respect to the notion of invention that things don t simply exist but are produced, made up he likewise is interested neither in the objections usually brought against it nor in the strength of that notion in resisting them. Instead, he is interested in problematics that emerge from considering interpretation and invention together, as exemplified in close readings of three texts: Oscar Wilde s De Profundis, Friedrich Nietzsche s The Birth of Tragedy, and Immanuel Kant s Critique of Pure Reason, texts in which in very different ways, a recognizable claim is made according to which the facts (biographical in one case, historical in another case, and cognitive in a third case) are produced by their own descriptions and interpretations.