The Woman’s Hand: Gender and Theory in Japanese Women’s Writing

This volume has a dual purpose. As a study of Japanese literature, it aims to define the state of Japanese literary studies in the field of women s writing and to point to directions for future research and inquiry. As a study of women s writing, it presents cross-cultural interpretations of Japanese material of relevance to contemporary work in gender studies and comparative literature. The essays demonstrate various critical approaches to the tradition of Japanese women s writing from a consideration of theoretical issues of gendered writing in classical and modern literature to a consideration of the themes and styles of a number of important contemporary writers. Feminist literary critics have generally defined women s discursive practice in terms of four major gender-related contexts: literary-historical, biological, experiential, and cultural. Accordingly, the thirteen essays in the volume are divided into four parts. Part I locates women writers within Japanese literary history; Part II shows ways in which modern women writers have written the body in Japan; Part III gives examples of tropes and genres used to write about female experience; and Part IV depicts how gender intersects with other social and cultural contexts in Japanese women s writing.