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This is the first sustained, critical examination of the work of Edward Hopper, a major twentieth-century American painter. It is a sequence of meditations on his painting A Woman in the Sun.
Each meditation, informed by Derrida’s conception of the supplement, is about both the painting and about the nature of the reading process.
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This is the first sustained, critical examination of the work of Edward Hopper, a major twentieth-century American painter. It is a sequence of meditations on his painting A Woman in the Sun.
Each meditation, informed by Derrida’s conception of the supplement, is about both the painting and about the nature of the reading process.