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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Comparison of Shakespeare’s works to their likely sources is one way to deepen our appreciation. Sources for The Tempest, however, have long eluded the grasp of scholars, who have unearthed only bits and pieces that resemble minor elements of the play. Few traces of the special qualities of The Tempest have turned up in any works so far considered as sources.
This author is the first to identify a strong biblical basis for The Tempest. Further, she demonstrates that the play’s use of biblical imagery, characters and concepts echo the way these elements were interpreted in the English Mystery Plays. Thus Hall is able to trace the links between The Tempest and the best known religious works of Elizabethan society: the Bible, the Mystery Plays, and the 1559 Book of Common Prayer. These links reveal The Tempest as a profoundly spiritual work, allowing the modern reader to experience the play as a harmonious religious vision.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Comparison of Shakespeare’s works to their likely sources is one way to deepen our appreciation. Sources for The Tempest, however, have long eluded the grasp of scholars, who have unearthed only bits and pieces that resemble minor elements of the play. Few traces of the special qualities of The Tempest have turned up in any works so far considered as sources.
This author is the first to identify a strong biblical basis for The Tempest. Further, she demonstrates that the play’s use of biblical imagery, characters and concepts echo the way these elements were interpreted in the English Mystery Plays. Thus Hall is able to trace the links between The Tempest and the best known religious works of Elizabethan society: the Bible, the Mystery Plays, and the 1559 Book of Common Prayer. These links reveal The Tempest as a profoundly spiritual work, allowing the modern reader to experience the play as a harmonious religious vision.