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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Television comedy traces its roots to vaudeville, radio and film, from which it developed its own unique forms to make the audience laugh. These styles became industry standards: the so-called traditional forms of variety shows and situation comedies. In recent years modern comedy-nighttime variety shows, adult programmes, stand-up acts, British imports, parody shows-have gained increasing acceptance, with these innovative forms bringing an artistry often lost under the traditional formats.
These thirteen essays trace the history of television comedy from the genius of Jack Benny, Sid Caesar, Milton Berle, Ed Sullivan and Lucille Ball to the antics of ALF, Martin Mull, Julie Brown and the Gorgeous Ladies of Wrestling. Emphasis is placed on the development and artistry of the genre as evidenced in shows such as Dobie Gillis, Green Acres, Newhart, The Mary Tyler Moore Show and Bewitched.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Television comedy traces its roots to vaudeville, radio and film, from which it developed its own unique forms to make the audience laugh. These styles became industry standards: the so-called traditional forms of variety shows and situation comedies. In recent years modern comedy-nighttime variety shows, adult programmes, stand-up acts, British imports, parody shows-have gained increasing acceptance, with these innovative forms bringing an artistry often lost under the traditional formats.
These thirteen essays trace the history of television comedy from the genius of Jack Benny, Sid Caesar, Milton Berle, Ed Sullivan and Lucille Ball to the antics of ALF, Martin Mull, Julie Brown and the Gorgeous Ladies of Wrestling. Emphasis is placed on the development and artistry of the genre as evidenced in shows such as Dobie Gillis, Green Acres, Newhart, The Mary Tyler Moore Show and Bewitched.