Subversive Horror Cinema: Countercultural Messages of Films from Frankenstein to the Present

This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.

Horror cinema flourishes in times of ideological crisis and national trauma - the Great Depression, the Cold War, the Vietnam era, post-9/11; this book argues that a succession of filmmakers working in horror - from James Whale to Sylvia Soska - have used the genre, and the shock value it affords, to challenge the status quo during these times. Spanning the decades from the 1930s onwards this critical text examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna - and the ways in which films like Frankenstein (1931), Cat People (1942), The Woman (2011) and American Mary (2012) can be considered subversive.