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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book challenges a longstanding and deeply ingrained belief in Shakespearean studies that The Tempest - long supposed to be Shakespeare’s last play - was not written until 1611. In the course of investigating this proposition, which has rarely been questioned and has received the critical inquiry it deserves, a number of subsidiary and closely related interpretative puzzles have come sharply into focus. These include the play’s sources of New World imagery; its festival symbolism and structure; its relationship to William Strachey’s True Reportory account of the 1609 Bermuda wreck of the Sea Venture (not published until 1625) - and the tangled history of how and why scholars have for so long misunderstood these matters.
When some preliminary elements of the case were published in leading Shakespearean journals (starting in 2007), the sometimes intemperate responses they received became part of the critical history, and some scholars supposed that we had been answered. Our reply to these criticisms is here given in full.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book challenges a longstanding and deeply ingrained belief in Shakespearean studies that The Tempest - long supposed to be Shakespeare’s last play - was not written until 1611. In the course of investigating this proposition, which has rarely been questioned and has received the critical inquiry it deserves, a number of subsidiary and closely related interpretative puzzles have come sharply into focus. These include the play’s sources of New World imagery; its festival symbolism and structure; its relationship to William Strachey’s True Reportory account of the 1609 Bermuda wreck of the Sea Venture (not published until 1625) - and the tangled history of how and why scholars have for so long misunderstood these matters.
When some preliminary elements of the case were published in leading Shakespearean journals (starting in 2007), the sometimes intemperate responses they received became part of the critical history, and some scholars supposed that we had been answered. Our reply to these criticisms is here given in full.