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Since the invention of the stereoscope in 1830, stereoscopic 3D has remained on the cutting edge of the media and entertainment industry. Every 20 to 30 years, a new generation rediscovers stereo filmmaking, fueling its resurgence with additional twists introduced by technological advancements made during the intervening years. This encyclopedic dictionary provides the definitive compilation of information on the art and science of stereoscopic 3D, including broadcasts of still and moving images; film and digital image acquisition; production, post-production, distribution, and exhibition; and human visual perception. In addition to standard dictionary definitions, it includes many extended encyclopedic entries and nearly 300 black-and-white and color illustrations. Taking the mystery out of 3D’s unique language, this valuable reference provides a basis for clear communication among industry professionals and historical context for those new to the discipline.
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Since the invention of the stereoscope in 1830, stereoscopic 3D has remained on the cutting edge of the media and entertainment industry. Every 20 to 30 years, a new generation rediscovers stereo filmmaking, fueling its resurgence with additional twists introduced by technological advancements made during the intervening years. This encyclopedic dictionary provides the definitive compilation of information on the art and science of stereoscopic 3D, including broadcasts of still and moving images; film and digital image acquisition; production, post-production, distribution, and exhibition; and human visual perception. In addition to standard dictionary definitions, it includes many extended encyclopedic entries and nearly 300 black-and-white and color illustrations. Taking the mystery out of 3D’s unique language, this valuable reference provides a basis for clear communication among industry professionals and historical context for those new to the discipline.