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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The life and work of American director John Avildsen is thoroughly examined in this detailed filmography. Each of the most significant films made by the Oscar-winning Avildsen is given a separate chapter, including such critical successes as The Stoolie, Joe and Save the Tiger, and box-office blockbusters Rocky and its sequels and the Karate Kid series. The authors’ observations on these and other titles–some well known, others less familiar–are enhanced by extensive production notes, and by commentary from John Avildsen himself. Noted cinema historian Jean Bodon, chair of the Department of Mass Communications at Sam Houston State University, provides the foreword.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The life and work of American director John Avildsen is thoroughly examined in this detailed filmography. Each of the most significant films made by the Oscar-winning Avildsen is given a separate chapter, including such critical successes as The Stoolie, Joe and Save the Tiger, and box-office blockbusters Rocky and its sequels and the Karate Kid series. The authors’ observations on these and other titles–some well known, others less familiar–are enhanced by extensive production notes, and by commentary from John Avildsen himself. Noted cinema historian Jean Bodon, chair of the Department of Mass Communications at Sam Houston State University, provides the foreword.