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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Although the suggestion that graphic narrative represents an important literary form still causes debate in academic circles, in recent years comics scholarship has emerged into wider contexts. This collection considers various literary approaches to graphic narrative and sequential art. The essays examine the politics of comic form and narrative, the ways in which graphic narrative and sequential art
cross over
into other forms and genres, and how these articulations challenge the ways we read and interpret texts. By bringing literary theory to bear on graphic narrative and balancing readings of individual texts with larger ideas about comics scholarship as a whole, this work explores our understanding of the form itself and its engagement with political culture.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Although the suggestion that graphic narrative represents an important literary form still causes debate in academic circles, in recent years comics scholarship has emerged into wider contexts. This collection considers various literary approaches to graphic narrative and sequential art. The essays examine the politics of comic form and narrative, the ways in which graphic narrative and sequential art
cross over
into other forms and genres, and how these articulations challenge the ways we read and interpret texts. By bringing literary theory to bear on graphic narrative and balancing readings of individual texts with larger ideas about comics scholarship as a whole, this work explores our understanding of the form itself and its engagement with political culture.