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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
One hundred years of film censorship, from the beginning to the end of the 20th Century, is chronicled in this volume. The freewheeling nature of films in the early decades was profoundly affected by Prohibition, the Depression and the formation of the Legion of Decency–culminating in a new age of restrictiveness in the movies.
Such powerful arbiters of public taste as Will H. Hays of the Motion Picture Producers and Distributors of America, and Joseph Breen of the Production Code Association, fomented an era whereby films with contentious material were severely censored or even condemned. This held sway until rebellious filmmakers like Otto Preminger challenged the system in the 1950s, eventually resulting in the abandonment of the old regime in favor of the contemporary
G
through
N-17
ratings system.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
One hundred years of film censorship, from the beginning to the end of the 20th Century, is chronicled in this volume. The freewheeling nature of films in the early decades was profoundly affected by Prohibition, the Depression and the formation of the Legion of Decency–culminating in a new age of restrictiveness in the movies.
Such powerful arbiters of public taste as Will H. Hays of the Motion Picture Producers and Distributors of America, and Joseph Breen of the Production Code Association, fomented an era whereby films with contentious material were severely censored or even condemned. This held sway until rebellious filmmakers like Otto Preminger challenged the system in the 1950s, eventually resulting in the abandonment of the old regime in favor of the contemporary
G
through
N-17
ratings system.