Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This critical work asks whether the formation of a poet’s oeuvre must involve artistic aberration. With introductory statements exploring the nature of aberration, these fourteen essays investigate the body of work of major contemporary poets from the U.S., Britain, Australia and New Zealand. Aberration is considered from the standpoint of both the artist and the audience, which ultimately forms the canon. The essays are concerned with the status of the aberrant work and the ways in which it challenges, enlarges or supports the overall perception of the poet.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This critical work asks whether the formation of a poet’s oeuvre must involve artistic aberration. With introductory statements exploring the nature of aberration, these fourteen essays investigate the body of work of major contemporary poets from the U.S., Britain, Australia and New Zealand. Aberration is considered from the standpoint of both the artist and the audience, which ultimately forms the canon. The essays are concerned with the status of the aberrant work and the ways in which it challenges, enlarges or supports the overall perception of the poet.