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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
On the occasion of her death in 1936, a New York newspaper wrote that actress Cora Urquhart Potter
probably accomplished more for the cause of feminism than the efforts of all the equal rights organizations of her day.
This critical biography explores the life of the famed Victorian stage star who, abandoning her position in New York society, undertook a professional career spanning more than two decades. Potter’s defiance of convention both mirrored and propelled the changes transforming fin de siecle theatre and society. In advancing the concept of the New Woman, both on and off stage, she became a lightning rod for criticism within a social milieu and a profession still fervidly clinging to Victorian ideals.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
On the occasion of her death in 1936, a New York newspaper wrote that actress Cora Urquhart Potter
probably accomplished more for the cause of feminism than the efforts of all the equal rights organizations of her day.
This critical biography explores the life of the famed Victorian stage star who, abandoning her position in New York society, undertook a professional career spanning more than two decades. Potter’s defiance of convention both mirrored and propelled the changes transforming fin de siecle theatre and society. In advancing the concept of the New Woman, both on and off stage, she became a lightning rod for criticism within a social milieu and a profession still fervidly clinging to Victorian ideals.