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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Studying the
Star Trek
myth from the original 1960s series to the 2009 franchise-reboot film, this book challenges frequent accusations that the
Star Trek
saga refuses to represent queer sexuality. Arguing that
Star Trek
speaks to queer audiences through subtle yet distinctive allegorical narratives, the analysis pays close attention to representations of gender, race, and sexuality to develop an understanding of the franchise’s queer sensibility. Topics include the 1960s original’s deconstruction of the male gaze and the traditional assumptions of male visual mastery; constructions of femininity in
Star Trek: Voyager , particularly in the relationship between Captain Janeway and Seven of Nine; and the ways in which
Star Trek: Enterprise ‘s adoption of neoconservative politics may have led to its commercial and aesthetic failure.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Studying the
Star Trek
myth from the original 1960s series to the 2009 franchise-reboot film, this book challenges frequent accusations that the
Star Trek
saga refuses to represent queer sexuality. Arguing that
Star Trek
speaks to queer audiences through subtle yet distinctive allegorical narratives, the analysis pays close attention to representations of gender, race, and sexuality to develop an understanding of the franchise’s queer sensibility. Topics include the 1960s original’s deconstruction of the male gaze and the traditional assumptions of male visual mastery; constructions of femininity in
Star Trek: Voyager , particularly in the relationship between Captain Janeway and Seven of Nine; and the ways in which
Star Trek: Enterprise ‘s adoption of neoconservative politics may have led to its commercial and aesthetic failure.