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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
These 17 critical essays examine the career and films of director Stanley Kubrick. Part One focuses on his more obscure initial career, including his early career, including his first newsreels, his photography for
Look
magazine, and his earliest films. Part Two examines Kubrick’s major or most popular films. Part Three provides a thorough case study of
Eyes Wide Shut , with four very different essays focusing on the film’s use of sound, its representation of gender, its
carnivalesque
qualities, and its phenomenological nature. Finally, Part Four discusses Kubrick’s ongoing legacy and his impact on contemporary filmmakers.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
These 17 critical essays examine the career and films of director Stanley Kubrick. Part One focuses on his more obscure initial career, including his early career, including his first newsreels, his photography for
Look
magazine, and his earliest films. Part Two examines Kubrick’s major or most popular films. Part Three provides a thorough case study of
Eyes Wide Shut , with four very different essays focusing on the film’s use of sound, its representation of gender, its
carnivalesque
qualities, and its phenomenological nature. Finally, Part Four discusses Kubrick’s ongoing legacy and his impact on contemporary filmmakers.