Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Florence Lawrence’s film career began just as the cinema was being born. She recognized the wonder and appeal of the fledgling industry, and her early work with the Vitagraph company gained her a legion of fans and a reputation as a willing and hard working actress. In 1908, she appeared in
Romeo and Juliet
- America’s very first screen Juliet. By 1909, she was working steadily for the Biograph studio - she was dubbed
the Biograph girl
- and was being praised for her
personal attractions
and
very fine dramatic ability.
But just as Lawrence was the first movie star in the industry, she was also one of the first to be undone by it. Hindered by setbacks, grueling work schedules, self-imposed retirements, three marriages, repeatedly unsuccessful comeback attempts, Lawrence finally committed suicide in 1938. This impressively researched piece of film history represents the first full-length biography of Florence Lawrence, also called
The Girl of a Thousand Faces.
Among the photographs are some never before published. A complete filmography of Lawrence’s entire career is provided. A summary chapter includes comments from various critics and historians, addressing how Lawrence is important to film history.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Florence Lawrence’s film career began just as the cinema was being born. She recognized the wonder and appeal of the fledgling industry, and her early work with the Vitagraph company gained her a legion of fans and a reputation as a willing and hard working actress. In 1908, she appeared in
Romeo and Juliet
- America’s very first screen Juliet. By 1909, she was working steadily for the Biograph studio - she was dubbed
the Biograph girl
- and was being praised for her
personal attractions
and
very fine dramatic ability.
But just as Lawrence was the first movie star in the industry, she was also one of the first to be undone by it. Hindered by setbacks, grueling work schedules, self-imposed retirements, three marriages, repeatedly unsuccessful comeback attempts, Lawrence finally committed suicide in 1938. This impressively researched piece of film history represents the first full-length biography of Florence Lawrence, also called
The Girl of a Thousand Faces.
Among the photographs are some never before published. A complete filmography of Lawrence’s entire career is provided. A summary chapter includes comments from various critics and historians, addressing how Lawrence is important to film history.