eaturing more than 500 photos and maps, this is the first comprehensive, research-based history of Navajo weavings with imagery inspired by tribal sacred practices. These Yei, Yeibichai, and sandpainting textiles have been the most sought after by collectors and the least studied by scholars. In spite of their iconography, they never served a ceremonial function. They were created by Navajo women at the instigation of Anglo traders, for sale to wealthy collectors willing to pay premium prices for their perceived spiritual symbolism. This book describes the historical and artistic development of the genre from its controversial emergence around 1900, to the 1920-1940 period of intense creativity, and concluding with the contemporary search for innovative patterns. Never-before-published weavings, detailed annotations, and an extensive bibliography make this an invaluable reference for scholars and collectors, and a fascinating exploration for all who are interested in the Southwest and its native cultures. AUTHORS: Over the past forty years, Rebecca Valette and Jean-Paul Valette have done extensive research on Navajo weavings with ceremonial imagery, have curated exhibits, and have published studies on their historical development. SELLING POINTS: . The first comprehensive, research-based history of Navajo weavings with ceremonial themes: Yei, Yeibichai, and sandpainting textiles. . Covers the genre from 1900 to today, featuring 500+ photos, many of weavings never before published. . These rare weavings have been the most sought after by collectors-and the least studied by scholars. 536 colour and b/w maps and images