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American History and Contemporary Hollywood Film: From 1492 to Three Kings
Paperback

American History and Contemporary Hollywood Film: From 1492 to Three Kings

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First book to explore how and why post-Vietnam Hollywood cinema has sought to interpret American history Hollywood has a growing fascination with America’s past. This is evidenced in the release of a rash of films of this genre in the past 25 years. This book offers an analysis of how and why contemporary Hollywood films have sought to mediate American history. It is the first book to explore, comprehensively, the post-Vietnam period of film-making, and to consider whether or how far contemporary films have begun to unravel the unifying myths of earlier films and periods. It also considers why such films are becoming increasingly integral to the ambitions of a globally-focused American film industry. The relationship between film and history - the way in which film mediates history and vice versa - is a complex one. In this book, the authors work from two main assumptions. First, that films revision events to challenge or, perhaps more typically, to reaffirm traditional historical interpretations. Second, that this process can only be understood in the context of contemporary debates about identity politics, America’s role in world affairs, and the globalisation of the American film business.

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MORE INFO
Format
Paperback
Publisher
Edinburgh University Press
Country
United Kingdom
Date
23 February 2005
Pages
240
ISBN
9780748614905

First book to explore how and why post-Vietnam Hollywood cinema has sought to interpret American history Hollywood has a growing fascination with America’s past. This is evidenced in the release of a rash of films of this genre in the past 25 years. This book offers an analysis of how and why contemporary Hollywood films have sought to mediate American history. It is the first book to explore, comprehensively, the post-Vietnam period of film-making, and to consider whether or how far contemporary films have begun to unravel the unifying myths of earlier films and periods. It also considers why such films are becoming increasingly integral to the ambitions of a globally-focused American film industry. The relationship between film and history - the way in which film mediates history and vice versa - is a complex one. In this book, the authors work from two main assumptions. First, that films revision events to challenge or, perhaps more typically, to reaffirm traditional historical interpretations. Second, that this process can only be understood in the context of contemporary debates about identity politics, America’s role in world affairs, and the globalisation of the American film business.

Read More
Format
Paperback
Publisher
Edinburgh University Press
Country
United Kingdom
Date
23 February 2005
Pages
240
ISBN
9780748614905