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In 1973, the Australian government bought Jackson Pollock's Blue Poles for A$1.4 million for the National Gallery of Australia.
Blue Poles: Jackson Pollock, Gough Whitlam and the painting that changed a nation tells the story of how Jackson Pollock rose to fame, how the record-setting purchase of Blue Poles sparked a media sensation and controversy both in Australia and the United States, and all the successes and turbulent turns in between.
Blue Poles provides insights into Pollock's movements within art circles, which included Peggy Guggenheim and his contemporaries Rothko and de Kooning, as well as the relationship with his artist wife Lee Krasner, who was his biggest champion while also bearing the brunt of Pollock's personal troubles. And while Pollock was known for inspiring hope for a new art tradition outside of Europe, larger than life accounts surrounded his artistic practice, including questions around the creation of Blue Poles, which some believe to be true and others pure myth-making.
It was Gough Whitlam's commitment to the arts and cultural capital that would see the work originally called Number 11 (1952) move to another continent where brows were raised - concerns centred around the worth of a work by 'Jack the Dripper' and the value of local artistic output among others.
Blue Poles: Jackson Pollock, Gough Whitlam and the painting that changed a nation is the compelling account of one of Australia's most prized paintings and the controversies that followed it, from its NYC origins to the hallowed halls of the National Gallery of Australia.
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In 1973, the Australian government bought Jackson Pollock's Blue Poles for A$1.4 million for the National Gallery of Australia.
Blue Poles: Jackson Pollock, Gough Whitlam and the painting that changed a nation tells the story of how Jackson Pollock rose to fame, how the record-setting purchase of Blue Poles sparked a media sensation and controversy both in Australia and the United States, and all the successes and turbulent turns in between.
Blue Poles provides insights into Pollock's movements within art circles, which included Peggy Guggenheim and his contemporaries Rothko and de Kooning, as well as the relationship with his artist wife Lee Krasner, who was his biggest champion while also bearing the brunt of Pollock's personal troubles. And while Pollock was known for inspiring hope for a new art tradition outside of Europe, larger than life accounts surrounded his artistic practice, including questions around the creation of Blue Poles, which some believe to be true and others pure myth-making.
It was Gough Whitlam's commitment to the arts and cultural capital that would see the work originally called Number 11 (1952) move to another continent where brows were raised - concerns centred around the worth of a work by 'Jack the Dripper' and the value of local artistic output among others.
Blue Poles: Jackson Pollock, Gough Whitlam and the painting that changed a nation is the compelling account of one of Australia's most prized paintings and the controversies that followed it, from its NYC origins to the hallowed halls of the National Gallery of Australia.
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