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Farquhar’s last two plays, The Recruiting Officer and The Beaux’ Stratagem, have been called ‘the last worthwhile comedies of the Restoration tradition’. Written during Farquhar’s stint in Shrewsbury as part of a recruiting mission in 1704-5, The Recruiting Officer is a buoyant, whimsical piece stocked by a fairly conventional cast of characters: the rake-hero and his spirited lady (who dons breeches in the course of the action), his sober friend and the heroine’s serious friend, the buffoon/coxcomb and his ill-fated amorous or heroic ventures. What makes the play entertaining is Farquhar’s light, humane touch; what makes it original is his depiction of a real-life provincial town and the impact that ongoing warfare (in this case the War of the Spanish Succession) had on its civilian society.
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Farquhar’s last two plays, The Recruiting Officer and The Beaux’ Stratagem, have been called ‘the last worthwhile comedies of the Restoration tradition’. Written during Farquhar’s stint in Shrewsbury as part of a recruiting mission in 1704-5, The Recruiting Officer is a buoyant, whimsical piece stocked by a fairly conventional cast of characters: the rake-hero and his spirited lady (who dons breeches in the course of the action), his sober friend and the heroine’s serious friend, the buffoon/coxcomb and his ill-fated amorous or heroic ventures. What makes the play entertaining is Farquhar’s light, humane touch; what makes it original is his depiction of a real-life provincial town and the impact that ongoing warfare (in this case the War of the Spanish Succession) had on its civilian society.