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New York Times critic Roberta Smith once described the act of looking at Daniel Hesidence’s (born 1975) paintings as at once mysterious, in perpetual flux in time and space, and yet highly specific. Summers Gun presents the artist’s latest large-scale abstract paintings plus drawings and installation shots.
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New York Times critic Roberta Smith once described the act of looking at Daniel Hesidence’s (born 1975) paintings as at once mysterious, in perpetual flux in time and space, and yet highly specific. Summers Gun presents the artist’s latest large-scale abstract paintings plus drawings and installation shots.