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This rich, wide-ranging book explores Italy’s national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history–a nonlinear, intertextual approach that confronts the total story of the growth of a national cinema while challenging the traditional formats of gene
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This rich, wide-ranging book explores Italy’s national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history–a nonlinear, intertextual approach that confronts the total story of the growth of a national cinema while challenging the traditional formats of gene