Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
A woman on the verge of a breakdown begins to hear the voice of a mediaeval mystic. The convict wife of an Australian settler faces the bloody price of colonisation. A man murders his wife and flees to a country town. A girl is visited by a vampire and uncovers her hidden past.
In these four hallucinatory texts for theatre, written over the past two decades, the past is never dead: its violence reaches into the fractured present. Croggon’s characters struggle through a world alienated by trauma. Some find their truths: others remain lost. Disturbing, ecstatic, ambiguous, affirming, these poems for the stage unpick the seams of reality, opening the dark places of memory.
Alison Croggon’s work encompasses poetry, novels, criticism and texts for performance. She has had sixteen works produced in Australia, both libretti and plays. They include The Riders, winner of the Vocal/Choral Work of the Year in the 2015 Art Music Awards, and Mayakovsky, shortlisted for the drama prize in the 2015 Victorian Premiers Literary Awards. Her award-winning novels and collections of poetry have been widely published in the US, UK and Europe as well as in Australia. She was named 2009 Geraldine Pascall Critic of the Year and her selected critical essays, Remembered Presences, was recently published by Currency Press.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
A woman on the verge of a breakdown begins to hear the voice of a mediaeval mystic. The convict wife of an Australian settler faces the bloody price of colonisation. A man murders his wife and flees to a country town. A girl is visited by a vampire and uncovers her hidden past.
In these four hallucinatory texts for theatre, written over the past two decades, the past is never dead: its violence reaches into the fractured present. Croggon’s characters struggle through a world alienated by trauma. Some find their truths: others remain lost. Disturbing, ecstatic, ambiguous, affirming, these poems for the stage unpick the seams of reality, opening the dark places of memory.
Alison Croggon’s work encompasses poetry, novels, criticism and texts for performance. She has had sixteen works produced in Australia, both libretti and plays. They include The Riders, winner of the Vocal/Choral Work of the Year in the 2015 Art Music Awards, and Mayakovsky, shortlisted for the drama prize in the 2015 Victorian Premiers Literary Awards. Her award-winning novels and collections of poetry have been widely published in the US, UK and Europe as well as in Australia. She was named 2009 Geraldine Pascall Critic of the Year and her selected critical essays, Remembered Presences, was recently published by Currency Press.