In two brilliant collections of stories, Reginald (1904) and Reginald in Russia (1910), which spanned the Edwardian period, Saki made his name as the predominant wit of the emergent twentieth century. As the new Georgian age dawned, his star was at its height:

..Sylvia, notwithstanding her name, was accustomed to nothing much more sylvan than leafy Kensington. She looked on the country as something excellent and wholesome in its way, which was apt to become troublesome if you encouraged it overmuch…

…I love Americans, but not when they try to talk French. What a blessing it is that they never try to talk English…

…You needn’t tell me that a man who doesn’t love oysters and asparagus and good wines has got a soul, or a stomach either. He’s simply got the instinct for being unhappy highly developed.

In this volume, first published in 1911, he introduced a new titular character, albeit with a huge resemblance to both Reginald and himself. Clovis Sangrail is unsurprisable, louche in conversation, thoroughly determined to avoid the banal. In this magnificent collection, he observes the ludicrous with an unswerving eye, and undermines it with rapier-like skill, while gleefully and covertly turning all to his advantage. Saki had announced himself as the brief Edwardian flame burnt itself out; with the brilliance of this volume he made it plain that he had no intention of fading away.