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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Day’s End is the second monograph of the work of Mark L. Eshbaugh, offering a comprehensive selection of the early landscape photographs that launched his career. Using a unique camera Mark’s images are works of art that incorporate the medium they’re composed in. The fractured imagery reminds us of the limitations of the medium and the limitations of our own memories. His unique toning of silver gelatin prints demonstrates his mastery of the medium with his timeless images. Essays by Mark and John Tremblay give context and history to the photographs.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Day’s End is the second monograph of the work of Mark L. Eshbaugh, offering a comprehensive selection of the early landscape photographs that launched his career. Using a unique camera Mark’s images are works of art that incorporate the medium they’re composed in. The fractured imagery reminds us of the limitations of the medium and the limitations of our own memories. His unique toning of silver gelatin prints demonstrates his mastery of the medium with his timeless images. Essays by Mark and John Tremblay give context and history to the photographs.