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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This anthology provides new editions of five 15th-century English poems framed as dreams and demonstrates the energy with which this influential medieval form was explored by post-Chaucerian writers. Lydgate’s Temple of Glass, a complex love vision, generates a counsel of a wide-ranging kind; The Kingis Quair of James I of Scotland and Love’s Renewal from the English poems of Charles of Orleans manipulate autobiographical detail to philosophical and political ends; the anonymous Assembly of Ladies foregrounds women’s voices; and finally, Skelton’s Bowge of Court adapts the love vision to the purposes of a satire on court life.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This anthology provides new editions of five 15th-century English poems framed as dreams and demonstrates the energy with which this influential medieval form was explored by post-Chaucerian writers. Lydgate’s Temple of Glass, a complex love vision, generates a counsel of a wide-ranging kind; The Kingis Quair of James I of Scotland and Love’s Renewal from the English poems of Charles of Orleans manipulate autobiographical detail to philosophical and political ends; the anonymous Assembly of Ladies foregrounds women’s voices; and finally, Skelton’s Bowge of Court adapts the love vision to the purposes of a satire on court life.