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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This dissertation essay examines two contemporary operas, L'Amour de loin by Kaija Saariaho and Hamlet by Christian Jost. It describes the influences on each composer that led to their respective operas. In Chapter 1 of the essay, Kern presents both composers’ biographies with particular emphasis on works leading up to the operas. Chapter 2 comprises a summary and discussion of the texts and librettos and their relationship to musical structure. This chapter is followed by in-depth analyses of selected scenes from each opera in Chapter 3. Despite Kaija Saariaho and Christian Jost’s dissimilar backgrounds and musical styles, Kern shows how both composers explore similar types of dramatic development. The second part of the dissertation is a presentation of a portfolio of original compositions.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This dissertation essay examines two contemporary operas, L'Amour de loin by Kaija Saariaho and Hamlet by Christian Jost. It describes the influences on each composer that led to their respective operas. In Chapter 1 of the essay, Kern presents both composers’ biographies with particular emphasis on works leading up to the operas. Chapter 2 comprises a summary and discussion of the texts and librettos and their relationship to musical structure. This chapter is followed by in-depth analyses of selected scenes from each opera in Chapter 3. Despite Kaija Saariaho and Christian Jost’s dissimilar backgrounds and musical styles, Kern shows how both composers explore similar types of dramatic development. The second part of the dissertation is a presentation of a portfolio of original compositions.