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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Making and Collaboration covers a single year’s creative studio journey by Hugh Merrill and a collaboration with artist and poet Jeanette Powers. The work Merrill created covers a number of themes and ideas moving from the fluidity of geometric forms in space, to political works about his family concerning race and power, on to drawings related to Gorge Grosz’s Ecce Homo and more. When asked about the exhibition Merrill responded
at its base is creativity, creativity as content, embedded in a history of mark making spanning over 50 years. Over 9 works from the exhibition went to museums including the Kemper Museum of Contemporary Art Kansas City, the Albright Kemper Museum St. Joseph Missouri and the Mulvane Museum in Kansas.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Making and Collaboration covers a single year’s creative studio journey by Hugh Merrill and a collaboration with artist and poet Jeanette Powers. The work Merrill created covers a number of themes and ideas moving from the fluidity of geometric forms in space, to political works about his family concerning race and power, on to drawings related to Gorge Grosz’s Ecce Homo and more. When asked about the exhibition Merrill responded
at its base is creativity, creativity as content, embedded in a history of mark making spanning over 50 years. Over 9 works from the exhibition went to museums including the Kemper Museum of Contemporary Art Kansas City, the Albright Kemper Museum St. Joseph Missouri and the Mulvane Museum in Kansas.