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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
First-ever new edition of Movieland, the 1930 English translation of Spanish proto-surrealist Ramon Gomez de la Serna’s 1923 novel Cinelandia. According to translator Angel Flores, Movieland deals with an ideal Hollywood, with a Hollywood more amazing, if that were possible, than the one we know.
Brilliant satiric fantasy.
A baroque and flippant literary antic … the novel is thoroughly satisfactory.
For a man who has never been in Hollywood, not even the U.S.A., Ramon did well, uncommonly so, by the allegedly fictitious characters of his opus. Each chapter, almost each paragraph, is a complete sparkling little jewel in itself. Synthesized, they become equally sparkling, witty, cynical yet refreshing facets of a larger gem.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
First-ever new edition of Movieland, the 1930 English translation of Spanish proto-surrealist Ramon Gomez de la Serna’s 1923 novel Cinelandia. According to translator Angel Flores, Movieland deals with an ideal Hollywood, with a Hollywood more amazing, if that were possible, than the one we know.
Brilliant satiric fantasy.
A baroque and flippant literary antic … the novel is thoroughly satisfactory.
For a man who has never been in Hollywood, not even the U.S.A., Ramon did well, uncommonly so, by the allegedly fictitious characters of his opus. Each chapter, almost each paragraph, is a complete sparkling little jewel in itself. Synthesized, they become equally sparkling, witty, cynical yet refreshing facets of a larger gem.