A Season of Death
Mark Raphael Baker
A Season of Death
Mark Raphael Baker
Mark Raphael Baker was no stranger to death. Over seven years he had become a mourner three times over- for his first wife, for his brother and for his father. When diagnosed with pancreatic cancer, he began to reflect on their deaths, his probable death and on Death as, in the words of Ecclesiastes, a 'season' that produced a large and bitter harvest for the Baker family. Powerful and conflicting emotions assailed him, but their destructive power was always defeated by his love of his family and of life, which never deserted him even when his spirit was most weary. Over the short course of his illness, he came to realise that to love both truly, he must die as the most authentic version of himself he can achieve. It enabled him to die with humbling grace and dignity.
In A Season of Death, readers of The Fiftieth Gate and Thirty Days will rediscover the many forms of Mark's humour, his candour and his depth of thought and feeling, albeit in a different key, as it must be when those virtues reveal themselves in expressions of vulnerability that fend off self-pity.
There is profound sorrow in this memoir but there is matching joy and much love, interwoven by a fine writer and thinker into a story that will deepen one's understanding of life.
Review
Chris Gordon
There is no need for this review to talk about the contribution Mark Raphael Baker made to Melbourne with his continual quest for understanding the role of faith and Judaism, here in Australia and across the world. He was simply an erudite communicator, known for his reflective and contagious pursuit of questions and deliberations. This memoir continues those most universal of themes, and yet, remains unique to his own telling. This is his story.
He died, quickly, of pancreatic cancer.
Of course, it is brutal reading at times. There are descriptions of emotional anguish and physical pain. However, all of this is offset by a story of a newfound love, by his family and the birth of another daughter. Despite the title, Baker’s story includes an exciting courtship and a new, committed relationship. He does write about the grief of his past – in the preceding seven years, Baker’s first wife, his brother and his father all died – but he also talks about stretching and reading, about losing glasses and moving house. He admits to moments of foolishness and of a deep, centred joy created by his family.
Readers will turn to this book for answers about their own existence. Perhaps they might consider it a guide, or a sneak peek into the other side of living. Certainly, it carries all those elements. Those who admire his work will want to read his final words. But, putting aside all the intellect and philosophical references of this memoir and those very spaces Baker constantly walked, this book, in the end, is simply an account of a man embracing every conceivable possibility with grace. I read it because I knew it would remind me of horizons and the importance of owning our pain, our past and our follies. It does that beautifully and optimistically.
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