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New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 78 include: Beauty and the Market: Actress Postcards and their Senders in Early Twentieth-Century Australia; Ancestral and Authorial Voices in Lloyd Newson and DV8’s ‘Strange Fish’; Stanislavsky’s Second Thoughts on ‘The Seagull’; ‘Lion Griefs’: the Wild Animal Act as Theatre; Augusto Boal and the Woman in Lima: a Poetic Encounter; Tumbling Ticks: Presentational Structure and ‘The Taming of the Shrew’; Accumulation, Loss, and Deferral; Charles Campbell and Steve Epley’s Site-Specific Performance ‘You Are Here’; NTQ Book Reviews.
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New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 78 include: Beauty and the Market: Actress Postcards and their Senders in Early Twentieth-Century Australia; Ancestral and Authorial Voices in Lloyd Newson and DV8’s ‘Strange Fish’; Stanislavsky’s Second Thoughts on ‘The Seagull’; ‘Lion Griefs’: the Wild Animal Act as Theatre; Augusto Boal and the Woman in Lima: a Poetic Encounter; Tumbling Ticks: Presentational Structure and ‘The Taming of the Shrew’; Accumulation, Loss, and Deferral; Charles Campbell and Steve Epley’s Site-Specific Performance ‘You Are Here’; NTQ Book Reviews.