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In this fourth volume of studies in the historical musicology and organology of Asia, Jonathan Condit completes his survey of Korean scores in mensural notation, and Roger Blench examines the morphology and distribution of sub-Saharan musical instruments of North African, Middle Eastern, and Asian origin.
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In this fourth volume of studies in the historical musicology and organology of Asia, Jonathan Condit completes his survey of Korean scores in mensural notation, and Roger Blench examines the morphology and distribution of sub-Saharan musical instruments of North African, Middle Eastern, and Asian origin.