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Ovid was, despite his faults, what Macaulay called him, ‘a good fellow’. But he was also a wit, the product of an age of refinement. More important, he was an artist with conscious mastery of a great range of literary artifice; his poetry has a studied movement, a grace, a rich and patterned surface, a music, that have appealed to readers and writers with an ear for ‘ technique’ ever since. In this 1962 volume, Mr Wilkinson writes to communicate his own evident enjoyment and understanding of Ovid’s fortunes. A life tells what is known of the poet, and serves as a framework to the account of the poetry. This book, an abridgement of Ovid Recalled, is designed particularly for those who have no Latin: no special knowledge is assumed, and the ample quotation is translated into heroic couplets. The result is a delightful and serviceable introduction to Ovid.
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Ovid was, despite his faults, what Macaulay called him, ‘a good fellow’. But he was also a wit, the product of an age of refinement. More important, he was an artist with conscious mastery of a great range of literary artifice; his poetry has a studied movement, a grace, a rich and patterned surface, a music, that have appealed to readers and writers with an ear for ‘ technique’ ever since. In this 1962 volume, Mr Wilkinson writes to communicate his own evident enjoyment and understanding of Ovid’s fortunes. A life tells what is known of the poet, and serves as a framework to the account of the poetry. This book, an abridgement of Ovid Recalled, is designed particularly for those who have no Latin: no special knowledge is assumed, and the ample quotation is translated into heroic couplets. The result is a delightful and serviceable introduction to Ovid.