Published by Bouncy Castle and Govett-Brewster Art Gallery|Len Lye Centre, with generous support from the Len Lye Foundation, Pollen Contemporary Art Foundation, and Grant Kerr.

For five decades, Wystan Curnow has been an advocate for-and authority on-the works of filmmaker and sculptor Len Lye. Alongside his friend and sometime collaborator Roger Horrocks, Curnow has championed the Aotearoa New Zealand-born artist's work and driven its growing popular and critical recognition. Stopped Short gathers Curnow's key writings on Lye. The first half centres on his discovery of Lye's work in New York; the second explores its repatriation to Lye's homeland where the establishment of the Len Lye Foundation and a dedicated Len Lye Centre in Ngamotu New Plymouth has cemented Lye's significance within Aotearoa New Zealand art history. Each half is introduced by Curnow, reflecting back on his earlier writings. In addition to offering a wealth of insights into Lye's work, Stopped Short is also a study in reception, meditating on Lye's place in world art, his place in Aotearoa New Zealand art, and the shifting relationship between them.

Len Lye (1901-80) is known for his dazzling experimental films and kinetic sculptures-parallel expressions of his desire to create an art of motion. He also made paintings and photograms (cameraless photographs)-and wrote. Born in Otautahi Christchurch, Lye spent time in Australia and Samoa in the early 1920s, before working his passage to London in 1926. There he became part of the modern-art scene, exhibiting with the Seven and Five Society and in the 1936 Internationalist Surrealist Exhibition.

He made his first film, Tusalava, in 1929 and went on to make films for the GPO Film Unit and Crown Film Unit utilising a variety of experimental techniques, often painting directly on film. In 1944 Lye moved to New York to work for the newsreel The March of Time. In the 1950s he began making films by scratching directly into black-leader film stock, and, in the late 1950s and 1960s, he developed motorised kinetic works he coined tangible motion sculptures. Examples are held in US collections such as the Whitney Museum of Americal Art, New York; Art Institute of Chicago; Buffalo AKG Art Museum; and Berkeley Art Museum.

Shortly before his death in 1980, Lye and his supporters established the Len Lye Foundation, based at the Govett-Brewster Art Gallery, Ngamotu New Plymouth, which continues to promote Lye's work and to realise his kinetic sculptures. The new century has seen a growing international interest in Lye with solo shows at the Pompidou Centre, Paris, in 2000; Art Gallery of New South Wales, Sydney, in 2001; Australian Centre for the Moving Image, Melbourne, in 2009; Ikon Gallery, Birmingham, in 2010; The Drawing Centre, New York, in 2014; and Museum Tinguely, Basel, in 2019. The Govett-Brewster opened its dedicated Len Lye Centre in 2015.