Readings Newsletter
Become a Readings Member to make your shopping experience even easier.
Sign in or sign up for free!
You’re not far away from qualifying for FREE standard shipping within Australia
You’ve qualified for FREE standard shipping within Australia
The cart is loading…
Women first appeared on the legitimate stage in England following the Restoration in 1660, heralding a major change in British theater. The First Actresses: From Nell Gwyn to Sarah Siddons explores the vibrant and sometimes controversial relationship between art, gender, and the English theater in the 18th century. The richly illustrated book combines both well-known and seldom-seen portraits with fascinating essays that explore the ways that actresses used portraiture to enhance their reputations, deflect scandal, and increase their popularity and professional status. The featured works include paintings by major artists such as Johann Zoffany, Joshua Reynolds, Thomas Gainsborough, and Thomas Lawrence.
Created to accompany the National Portrait Gallery’s exhibition of the same name, The First Actresses provides a vivid spectacle of femininity, fashion, and theatricality from Nell Gwyn to Sarah Siddons, during a period when portraiture became an important vehicle for the expression of concerns about female sexuality, social status, decorum, gender, and celebrity. The authors also chart the commercialization of the spectacle of the actress, as well as the connections between the 18th-century star system and modern celebrity culture.
$9.00 standard shipping within Australia
FREE standard shipping within Australia for orders over $100.00
Express & International shipping calculated at checkout
Women first appeared on the legitimate stage in England following the Restoration in 1660, heralding a major change in British theater. The First Actresses: From Nell Gwyn to Sarah Siddons explores the vibrant and sometimes controversial relationship between art, gender, and the English theater in the 18th century. The richly illustrated book combines both well-known and seldom-seen portraits with fascinating essays that explore the ways that actresses used portraiture to enhance their reputations, deflect scandal, and increase their popularity and professional status. The featured works include paintings by major artists such as Johann Zoffany, Joshua Reynolds, Thomas Gainsborough, and Thomas Lawrence.
Created to accompany the National Portrait Gallery’s exhibition of the same name, The First Actresses provides a vivid spectacle of femininity, fashion, and theatricality from Nell Gwyn to Sarah Siddons, during a period when portraiture became an important vehicle for the expression of concerns about female sexuality, social status, decorum, gender, and celebrity. The authors also chart the commercialization of the spectacle of the actress, as well as the connections between the 18th-century star system and modern celebrity culture.