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David Lan’s new version of one of Chekhov’s greatest plays, was commissioned for a co-production between the Royal Shakespeare Company and the Young Vic. Directed by Katie Mitchell, it premiered at the Young Vic, London, in March 1998, a century after its
Uncle Vanya is the first of Chekhov’s three great masterpieces. Set on a remote farm in the Ukraine, it tells of two obsessive love affairs that lead nowhere, and a flirtation that brings disaster. Written towards the end of the 1890s, it casts a diamond-hard glance towards our century.
A notably sharp, bright translation (The Times)
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David Lan’s new version of one of Chekhov’s greatest plays, was commissioned for a co-production between the Royal Shakespeare Company and the Young Vic. Directed by Katie Mitchell, it premiered at the Young Vic, London, in March 1998, a century after its
Uncle Vanya is the first of Chekhov’s three great masterpieces. Set on a remote farm in the Ukraine, it tells of two obsessive love affairs that lead nowhere, and a flirtation that brings disaster. Written towards the end of the 1890s, it casts a diamond-hard glance towards our century.
A notably sharp, bright translation (The Times)