Contents: The Difficult BirthoAn Image of Utterance in Beckett, Paul Lawley; Less equals MoreoDeveloping Ambiguity in the Drafts of Come and Go, Rosemary Pountney; Seeing is PerceivingoBeckett’s Later Plays and the Theory of Audience Response, Karen L. Laughlin; Mutations of the Soliloquy, Not I to Rockaby, Andrew Kennedy; Anonymity and IndividuationoThe Interrelation of Two Linguistic Functions in Not I and Rockaby, Lois Oppenheim; Walking and Rocking, Ritual Acts in Footfalls and Rockaby, Mary A. Doll; Beckett’s Other Trilogyo Not I,
Footfalls and Rockaby, R. Thomas Stone; Perspective in Rockaby, Jane Alison Hale; Know HappinessoIrony in Ill Seen Ill Said, Monique Nagem; Reading That Time, Antoni Libera; The Speech Act in Beckett’s Ohio Impromptu, Kathleen O'Gorman; Make Sense Who May, A Study of Catastrophe and What Where, Annamaria Sportelli; Catastrophe and Dramatic Setting, Hersh Zeifman; A Political Perspective on Catastrophe, Robert Sandarg; The Quad PiecesoA Screen for the Unseeable, Phyllis Carey. Irish Literary Studies Series No. 30.