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This book examines and breaks the routine to propose alternative languages for criticism. It shows the commitments of some of the most distinctive voices in criticism, from literature, music, the visual arts, psychoanalysis, and philosophy, amongst others, to comparative thinking.
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This book examines and breaks the routine to propose alternative languages for criticism. It shows the commitments of some of the most distinctive voices in criticism, from literature, music, the visual arts, psychoanalysis, and philosophy, amongst others, to comparative thinking.