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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The fifty-five Sonnets to Orpheus were written by Rilke in February 1922, in less than two weeks. Their central themes are Orpheus and his song of praise; what is sung is "Dasein", "being- here", the presence in the world. Rilke considered as a betrayal of his poetry any translation that would not reproduce, together with his thinking, his internal movement, his rhythm, his rhymes, his music. The goal of the translator has been to make that orchestration "heard" as much as possible, to try and reproduce the structure, rhyme and rhythm, of Rilke's Sonnets, in order for these translations to sound as echoes of the originals.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The fifty-five Sonnets to Orpheus were written by Rilke in February 1922, in less than two weeks. Their central themes are Orpheus and his song of praise; what is sung is "Dasein", "being- here", the presence in the world. Rilke considered as a betrayal of his poetry any translation that would not reproduce, together with his thinking, his internal movement, his rhythm, his rhymes, his music. The goal of the translator has been to make that orchestration "heard" as much as possible, to try and reproduce the structure, rhyme and rhythm, of Rilke's Sonnets, in order for these translations to sound as echoes of the originals.