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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The first New Variorum edition of Coriolanus, by Horace Howard Furness, Jr., was published in 1928. The present edition follows Furness's but does not replace it because frequently the more recent scholarship and criticism recorded here could be accommodated only by reducing Furness's fuller treatment of earlier material. The reader who finds this edition useful is urged to consult Furness's as well to obtain a fuller account on many subjects.
Niels Herold wrote the section on Music and Sound Effects, and Sylvia Bryant and Ian Aspinall translated German criticism. Megan-Marie Johnson collaborated with me on the Plan of the Work, on the collations necessary to compile the Textual Notes, and on the Commentary. Ashley Spriggs helped revise the Plan of the Work and the Textual Notes. Both of these latter assistants also had a hand in all the other sections of the edition...
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The first New Variorum edition of Coriolanus, by Horace Howard Furness, Jr., was published in 1928. The present edition follows Furness's but does not replace it because frequently the more recent scholarship and criticism recorded here could be accommodated only by reducing Furness's fuller treatment of earlier material. The reader who finds this edition useful is urged to consult Furness's as well to obtain a fuller account on many subjects.
Niels Herold wrote the section on Music and Sound Effects, and Sylvia Bryant and Ian Aspinall translated German criticism. Megan-Marie Johnson collaborated with me on the Plan of the Work, on the collations necessary to compile the Textual Notes, and on the Commentary. Ashley Spriggs helped revise the Plan of the Work and the Textual Notes. Both of these latter assistants also had a hand in all the other sections of the edition...