The 1990s have witnessed a major reassessment of Blake initiated by a more rigorous comprehension of his modes of production, which in turn has led to re-evaluation of other literary and cultural contexts for his work. This text grapples with the implications of the new bibliography for Blake studies, in its editorial, interpretative, and historical dimensions. As well as providing an international overview of recent Blake criticism, the collection contributes to late-1990s debates in a variety of disciplines dealing with the Romantic period, including art history, counter-Enlightenment scholarship, theology and hermeneutic theory.