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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This second volume of Michael Black’s commentary on Lawrence’s prose-works concentrates on the extraordinary sequence of non-fictional texts written between 1913 and 1917: the ‘Foreword’ to Sons and Lovers, Study of Thomas Hardy, Twilight in Italy, ‘The Crown’, ‘The Reality of Peace’. In all of them Lawrence was compulsively rewriting what he called ‘my philosophy’. This extended commentary makes sense of them, treating them as a succession of experimental writings which support each other, develop non-discursive modes of writing, and are linked by shared metaphors which reveal shared preoccupations.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This second volume of Michael Black’s commentary on Lawrence’s prose-works concentrates on the extraordinary sequence of non-fictional texts written between 1913 and 1917: the ‘Foreword’ to Sons and Lovers, Study of Thomas Hardy, Twilight in Italy, ‘The Crown’, ‘The Reality of Peace’. In all of them Lawrence was compulsively rewriting what he called ‘my philosophy’. This extended commentary makes sense of them, treating them as a succession of experimental writings which support each other, develop non-discursive modes of writing, and are linked by shared metaphors which reveal shared preoccupations.