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The Caliban-Prospero encounter in Shakespeare’s The Tempest has evolved as a metaphor for the colonial experience. The present study utilizes the Caliban symbol in examining the influence of colonialism in Caribbean literature, focusing on the works of three major writers from the Caribbean islands: Jean Rhys, of British descent from Dominica; George Lamming, of African origin from Barbados; and Sam Selvon, of mixed heritage from Trinidad. The works chosen are set in England where the writers and their characters experience a double displacement, the alientation of the exiled in the country that once colonized their own islands. They are outsiders - unwelcome in Prospero’s home country. The novels dramatize the theme of physical and psychological exile. Rhys’s characters need mirrors in which they search for an assurance of identity; Lamming’s are torn by the conflict inherent in the tragic sense of life ; and Selvon’s ironic language expresses the deepest sense of exile: exile from one’s own self. Other Caribbean writers are included in the analysis, and the volume concludes by examining contemporary writers from whom Caliban’s role in literature appears to be changing. Novelists like Earl Lovelace and Jamaica Kincaid demonstrate that it is possible to be an outsider in one’s own country, and that issues of class can be as corrosive as issues of race. The focus has moved beyond physical exile, but the spirit and strength of Caliban continue to pervade the new literature.
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The Caliban-Prospero encounter in Shakespeare’s The Tempest has evolved as a metaphor for the colonial experience. The present study utilizes the Caliban symbol in examining the influence of colonialism in Caribbean literature, focusing on the works of three major writers from the Caribbean islands: Jean Rhys, of British descent from Dominica; George Lamming, of African origin from Barbados; and Sam Selvon, of mixed heritage from Trinidad. The works chosen are set in England where the writers and their characters experience a double displacement, the alientation of the exiled in the country that once colonized their own islands. They are outsiders - unwelcome in Prospero’s home country. The novels dramatize the theme of physical and psychological exile. Rhys’s characters need mirrors in which they search for an assurance of identity; Lamming’s are torn by the conflict inherent in the tragic sense of life ; and Selvon’s ironic language expresses the deepest sense of exile: exile from one’s own self. Other Caribbean writers are included in the analysis, and the volume concludes by examining contemporary writers from whom Caliban’s role in literature appears to be changing. Novelists like Earl Lovelace and Jamaica Kincaid demonstrate that it is possible to be an outsider in one’s own country, and that issues of class can be as corrosive as issues of race. The focus has moved beyond physical exile, but the spirit and strength of Caliban continue to pervade the new literature.